"For this week’s project, I want to see what’s normally hidden! Make a project with exposed seams or a raw-edge finish. Take on a bag pattern or other project that is constructed inside out and then literally “birthed” as part of the process. Or use this as a theme and demonstrate your unique inside-out perspective."
I was a little stumped at first on how to interpret the theme. Then I saw a mention on Facebook about reverse applique, and it reminded me of an Alison Glass sew along, The Cozy Workshop, that I had read about recently. The idea is to use cotton jersey knit as the top layer, which is reverse appliqued over a whole-cloth or pieced layer of quilting cotton. The concept reminds me of those pictures we used to make as kids with scribblings of bright crayons as the base layer that were then covered with black crayon. When the black layer was scraped away, the bright colors were revealed underneath. (Does anyone else remember doing this? I described it to my husband, and he had no idea what I was talking about.)
I pulled out a colorful brushed woven fabric for the inside layer that would be revealed by the reverse applique.
For the top layer, l chose a deep purple mottled print. A quilting stencil was used for the center design.
The next photo shows all the layers stacked together. Under the multicolor is black flannel that was used instead of batting. At the bottom is the backing fabric, with the right side down.
Portions of the stencil were repeated to extend the design into a rectangle for a placemat. I stitched on the drawn lines through all four layers of fabric. Then it was time to start trimming away the top layer to reveal the inside.
My goal when trimming the top layer was to end up with smooth curves and approximately 1/8" of fabric next to the stitching. There is a blue circle to the left around a place in the top fabric that had been slit with a scissors before the layers were stitched together. I cut openings in several places that were going to be trimmed away, making it much easier to get my scissors under that top layer without catching the inner fabric.
This is placemat #1 after the trimming was complete and the binding was finished, but before washing.
After washing, the cut edges were definitely more frayed, but not too bad, and the whole thing is more crinkled.
After washing and drying
This is the fabric on the back of the placemat.
After that was done, I decided to do another using cotton knit as the top fabric, just to see how well it worked. As I mentioned at the beginning, I was inspired by an Alison Glass sew along, The Cozy Workshop. However, my technique may be quite different because I haven't done the workshop, just read about it.
Other than using a knit fabric for the top layer, everything else was done in the same way as the first placemat. The layers shown in the next photo include a blue plaid flannel that was my batting substitute (I ran out of the black.)
Finished placemat before washing and drying
Finished placemat after washing and drying
Placemat #2 back
The placemat with the knit fabric on top definitely frayed less along the cut edges. It wasn't any easier to cut away the knit fabric, but that might be because my stencil design had deeper curves and narrower channels. It was a fun experiment in reverse applique, and the placemats will be another addition to the stack going to Meals on Wheels.
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Happy quilting everyone!
Julie in GA
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